1. By Kaeleigh Morrison | Editor In Chief | September 20, 2012

    Tuesday night at The Hollywood Palladium, fans gathered to hear Matisyahu perform new material from his summer release, Spark Seeker. Opening for the reggae-rap “king without a crown” we’re Huntington Beach natives Pacific Dub followed by fellow local The Dirty Heads.

    The Pacific Dub boys kicked off the night to a crowd modest in size, but certainly not in personality. The heavily bro-tanked and rather intoxicated crowd swayed in time to Bryce Klemer’s watery, reggae guitar. The bass buzzed infectiously through ear canals, shook mandibles, and rattled skulls; the floor oscillated like the earthquake the west coast has been anxiously expecting. If you combined the cool, California, floating keyboard guitar feel of your typical reggae band with the imposing bass and drums of a heavy rock band, you get the earthquake-tsunami that is Pacific Dub.

    They didn’t look particularly stoney, they looked rockish, actually. Klemer’s fingers tore up the frets in a way simply unheard of in this genre. As the crowd grew, so did their adoration. Pacific Dub brings the effortless, carefree feeling of reggae, and combines it with the talented technicalities of rock.

    As one of the kindest-hearted bands I’ve seen live, lead singer, Colton Place, thanked the audio guys, checked in with the audience to ensure they were “still with em,” said his please and thank you’s, and signed off with a very sincere, “take care of one another.”

    Read more here or @ Socalmusictoday.com

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    (Source: fatboymusic)

     

  2. Pokey LaFarge. The Echo. 9/13/12.
    Pokey LaFarge & The South City Three. The Echo. 9/13/12

    By Kaeleigh Morrison | Editor In Chief | September 16, 2012

    Thursday night at the Echoplex, Pokey LaFarge and The South City Three were joined by The Driftwood Singers and the endlessly witty, Two Man Gentleman Band. The backwoods, bluegrassy lineup permitted- perhaps misguidedly- some of the more eccentric Angelenos to pull out vintage wild west garb; bowler hats, cowhide vests, and Navajo bola ties in all.

    The boy/girl duo, The Driftwood Singers took the stage around nine to finish their sound check and arrange themselves for the beginning of the show. Kris Hutson on his hollow-body guitar looked a little like Justin Vernon gone country. Pearl Charles emanated a perfect, southern belle, with her waist-length tangles of jet-black hair, and aged, floral peasant skirt. Pearl’s humble, warm, and feminine voice complemented the Dylan-esque whine to Hutson’s baritone.

    During their opening ballad, “Corn Liquor,” their voices poured with a feeling amorous and nostalgic, but stumbled amongst the tangle of their melancholy wordings. Pearl cooed “I got a confident heart with stage fright” during the charming, “If I Take That Notion,” off their self-titled album. The Driftwood Singers are lovely, but nothing outstanding or original. The duo stuck to the basics, keeping it down home, serenadey, and traditional.

    After a short intermission, the Two Man Gentleman Band demanded the audience’s attention with their mind-blowing stage presence. Andy Bean and Fuller “The Chairman” Condon woke up the sleeping crowd with a steady acoustic guitar strum and one upright bass solo after another. I won’t deny that the boys looked young, perhaps not even old enough to have left their beer ponging days behind them, but it was unexpected when Bean’s voice cracked occasionally. Thankfully, the tipsy, workweek audience cheered them on enthusiastically, and the boys carried on their witty setlist. 

    Read more here or @ Socalmusictoday.com

    ——

    The Driftwood Singers:

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  3. Monday Night Playlist: Hex

    By Kaeleigh Morrison | Editor In Chief | September 11, 2012

    I’m making friends and strengthening bonds. My apartment is starting to feel like a home, and my life is getting a little more stable. A strange series of events have had me craving an odd-yet-appropriate cocktail of romance and ecstacy. Let this haunting, atmospheric mix wash over and leave you in chills.

     Listen Here

    “Sunrise Confessions” Caotico

    “Sense” Amanda Mair

    “Never Be The Same” Little Majorette

    “Genesis” Grimes

    “Hearts” oOoOO

    “Obedear” Purity Ring

    “The Fox” Niki & The Dove

    “Chills” Trails and Ways

    “Let’s Get Drunk” Little Majorette

    “Climbing Walls” Strange Talk

    “Bullets” Rebecca & Fiona

    “Be A Body” Grimes

    “I Love It” Icona Pop

    (Source: fatboymusic)

     


  4. Hey You! Interview

    By Kaeleigh Morrison | Editor In Chief | September 8, 2012

    Known for their spicy concoction of pop, punk, and rock, Hey You! has set the west coast’s music scene ablaze since forming in 2009. The group was awarded RAW Artist’s “Musician of The Year” and won the “2010 Project Rock Warrior” held at The Hard Rock Hotel in Las Vegas. I sat down with band members Brett Decarlo (bass), Derek John (guitar), Kyle Tkatch (vocals), and Matt Thompson (drums) this evening to talk history, inspiration, and the experience they’ve all gotten along the way.

    —-

    Give me a brief history of the band.

    Brett: Ooh. A brief history of the band. I’d say we’ve been together what? Four years?

    Kyle: Three.

    Brett: Three years? We named the band after a dead dog.

    I was thinking Pink Floyd.

    Brett: A lot of people think of Pink Floyd. But no, unfortunately it’s a dog. But it was a dead one. It was a happy, dead dog.

    Kyle: Well, we started three years ago. Brett and I started writing together and we found Derek ‘cause we all talk music. We decided that we were a good match, so we linked up. And we weren’t Hey You! at the time. We found Matt off of Craigslist and once we got him, then it was complete and it’s always been the same band members.

    Brett: Yeah, we were White Rabbit.

    Kyle: But then there was a band called White Rabbits that came out, so,..

    Brett: It was kind of conflicting. We’ve been playing shows ever since.

    Matt: Anywhere we can, but we like The Strip a lot. Viper Room, House of Blues.

    What was it like getting the band together?

    Brett: It was an adventure getting all of us, like, finding the right match. You know, to get Kyle and Derek together was the easy thing. That was a lot easier. We all taught kids. To find the right drummer, that was the hard part. We went through months of finding the right drummer. We went through a lot of trying out drummers.

    Kyle: Yeah, it’s a lot. It’s like an hour per audition.

    Brett: There was a guy who had a pink drum set and drove down from Arizona. Weird people. People from Venice, who are automatically weird, but then took a bus for four hours and then were kind of rude after taking a bus for four hours. *laughs* But Matt just walked in there and laughed his way through.

    Matt: What else could I do?

    Brett: The first time, we all really liked Matt, and the second time he came in, I don’t even think he played a full song. I remember turning around and going “Congratulations, you’re in the band.” And then Kyle says to me, “Well, don’t you want to talk about it?” And I said, “No, we’re good.” And Matt’s been in the band ever since.

    What obstacles have you overcome both individually and as a band to get to where you are today?

    Kyle: It’s a lot of work. It’s a lot more work than you think, though, I think, when you’re young you’re like, “Yeahh! I wanna be in a band. I like singing. Or, I like playing this instrument.” It’s a looot of work and especially these days you have to do it all on your own. Especially to get to a certain level. You give up a lot on one end and you get a lot on another, so, that’s one obstacle that I’ve had to conquer for sure.

    Derek: It’s a lot of tirelessly plugging away and playing for nobody just to get a few people to be into you.

    Brett: There’s even the obstacle of getting everybody together is a hard one. Like, getting four people in the same spot together-

    Kyle: And on the same page.

    Matt: ALL THE TIME.

    Brett: That can be a big obstacle. Like, songs. Making sure that we grow, and everything. That’s a big obstacle.

    What’s in Hey You!’s future? Tours? Releases?

    Derek: Both of those. We’re in the middle of recording five songs.

    Brett: With who?

    Derek: With Mike Clink.

    Brett: And who has he done?

    Derek: Um, according to him, “you name it.”

    *All laugh*

    Derek: Guns ‘n’ Roses, Aerosmith, pretty much everybody.

    Brett: Metallica, but kind of, yeah, everybody.

    Kyle: Yeah, we’re recording, we just got a song played on Mark and Brian’s radio station, and we’re gunna have it up on iTunes. It’s called “Sweet Revenge,” it’s on our website right now, but we’re gunna have it on iTunes, hopefully in the next few weeks. And then our album, hopefully in the next few months, and tours, and,..

    Have you released the album name yet?

    Kyle: Not yet.

    Brett: You know, we’ve had so many ideas. Even when I was driving over here with Derek I thought of something. We hope we name it funny. Or at least, I hope we name it really funny. It’ll remind you of Spinal Tap.

    Matt: It’s not going to be called “Really Funny.”

    Brett: We actually thought of “Smell The Glove.”

    Derek: Yeah, we thought of that.

    Brett: Not Spinal Tap, but us.

    You’re playing a new song tonight. How does it differ from your older material?

    Kyle: It’s very different. I think it’ll stick out just a little bit. “Damn, our moms are really going to like this song,” was the first thing Derek and I said.

    Brett: It’s not our most rockin’ song.

    Kyle: No, but it’s a really good song. I think a lot of people are gunna like it. It’s more on the pop side, a little more mellow.

    Are there any interesting stories behind your songs?

    Brett: Oh. Well, there’s always interesting stories behind songs, I mean, without stories, we wouldn’t have anything to write about, you know?

    Kyle: Douche bags, broken hearts, crazy, fucked up times.

    Do you have any particular message for your audience?

    Matt: Have fun.

    Kyle: Yeah, have fun, be strong, like, kick ass.

    Derek: Fuck it. Drink a lot.

    Brett: Have fun, working hard.

    If each of you could describe your personal, musical style in one word, what would it be?

    Brett: Outgoing.

    Kyle: Strong.

    Matt: Authority.

    Derek: Creative?

    If you could open for any artist/band, who would it be?

    Brett: Something I think that would help us out a lot, just because their fan base might be around the same fan base as ours, would be a band like The Offspring would be really cool to open up for. They’re a high-energy band. They’re actually really funny. Seems like something our style.

    Kyle: Foo Fighters.

    Who are your idols and why?

    Kyle: Singer-wise, Pat Benatar, Madonna, I loved Heart, I love Gwen Stefani, Katy Perry, like from her current stuff. Um, I like everyone at this point.

    Brett: I guess mine would be David Bowie, a lot of punk stuff. I love punk rock, I love the David Bowie stuff. I like a mixture of it. Nine Inch Nails. You know, rock ‘n’ roll, Aerosmith, that kind of stuff, so that’s where I’d stand.

    Matt: I like rock, I like pop, I like stuff with a groove, I looove The Beatles, Michael Jackson.

    Kyle: Yeaahh. Miiike-uhl!

    Derek: Uhm for me? Number one-

    Brett: The Mars Volta.

    Derek: Yeah. My number one by far none would be The Mars Volta. Then Pink Floyd, Muse, Led Zeppelin, those are my tops right there.

    What is your best experience as a musician?

    Brett: You know, the best experience, or the best opportunity, is to perform with Mike Clink. That’s been the best experience so far. Because it’s been very unique.

    Matt: It’s been real.

    Brett: Yeah, it’s been very real. It’s been a very unique experience that we will never forget.

    What was your most embarrassing experience?

    Derek: *laughs hysterically*

    Brett: Kyle threw up on stage.

    Kyle: No I didn’t. Um, wardrobe malfunctions, sometimes.

    Matt: Yeah, Kyle’s breasts come out.

    Derek: A Janet-Jackson-type malfunction.

    Matt: We’re all constantly trying to cause Kyle wardrobe malfunctions. It’s kind of a fun game. We love it, she loves it.

    Brett: We’re all trying to get to her. It’s a love-hate relationship.

    Matt: Yeah, most of the hating is on her.

    Brett: And a lot of love on our part. *laughs*

    Kyle: You can cut them off at any time.

    Do you have any advice for upcoming musicians? 

    Brett: Don’t stop. Try as hard as you can.

    Matt: Uh, play bass.

    *Kyle and Brett laugh*

    Brett: God damn you. Uhh, eat cheap!

    Kyle: Yeah. Work hard. Don’t think that this is easy.

    Brett: You will get rejected a million times, but the one time that you don’t is worth it all.

    Who are you outside Hey You! ?

    Kyle: No one. *laughs* No, I’m kidding.

    Brett: A super-nice recording person? I like going outside and doing stuff like that. It’s who I am. I love my dog, Penny. Penny, if you’re listening, I love you.

    Derek: Uhh, I work with kids a lot, so, I like kids and I like to be a nice guy. Something about that has a Michael Jackson vibe to it, though.

    What did you listen to on your iPod today?

    Brett: Oh, I could tell you that. Mine’s Beastie Boys, right now. I did a little Hollywood Undead, then to The Black Keys, and then to The Sex Pistols.

    What’s your favorite Black Keys album?

    Brett: You know, I don’t know what album, but “Gold On The Ceiling” is probably my favorite.

    Kyle and Derek: The one on the radio!

    Brett: The one on the radio. I’m a big radio whore. “Gold On The Ceiling” is huge for me. I love that song. But The Beastie Boys have been killing it for me. The new record, there’s one punk rock song in there that is just great, there are a couple other great ones on there.

    Matt: I’ve been listening to the new Matchbox 20 album, so,…

    Kyle: I work with kids, so I’m always listening to Top 20’s, trying to learn songs for them.

    Brett: “Call Me, Maybe.”

    Kyle: Yeah. I know “Call Me, Maybe” very well, maybe too well, right now. I’m trying to learn some Halloween songs, so going back to old school music.

    Derek: I’m listening to,…

    Brett: The Mars Volta.

    Derek: I’m always listening to The Mars Volta, Brett. No matter what, I’m always listening to The Mars Volta. What I’m actually listening to in my car is a CD of our own music to learn these background vocals so that I can start screaming onstage and really nailing it.

    What did you grow up listening to?

    Brett: Classic rock for me. I was not allowed to listen to rap.

    Kyle: I got a little bit of everything, I think. A lot of pop, a lot of radio. Country, because my dad loved country, and oldies.

    Brett: Your dad loved Elvis.

    Kyle: Yeah, a lot of Elvis, for sure.

    Derek: Floyd, Zeppelin, The Doors, and Guns ‘n’ Roses. Those were my top four growing up.

    Matt: Yeah, classic rock. We’re big on classic rock over here.

    What inspired you to start playing music?

    Kyle: For me, it was a calling, as stupid as that sounds, but that’s all I did in my room when I was little was sit there and sing. So that’s what I wanted to do. I wanted to sing.

    Brett: I wanted to be better than my dad and just like do stuff with music. You can just feel it inside of you. It’s one of those deals.

    Matt: I remember seeing Mary Poppins when I was three and there was a one-man-band in there or something. I picked up this Mickey Mouse drum set that my parents bought me and I was trying to play it like a one-man-band and I dropped it and broke it.

    Derek: I started playing piano because I got in trouble in third grade for not paying attention in music class. The teacher said, “you need to teach this kid to focus so that he can learn the piano.” That turned into five years of piano, and I said, “I’m done with that.” My dad said, “Well, you don’t have to play piano. Do you want to play guitar?” I said “yeah, let me try that.”

    Kyle: You slept with your music teacher after that.

    Derek: Well we have a couple illegitimate kids, but I’m not going to get into that, we don’t have time.

    Where do you guys want to go after Hey You! ? Is there anything that you want to do musically that doesn’t involve this band?

    Derek: Are you trying to tear us apart? What is this?

    Brett: I would see me as a record label kind of person. I’d want to start up a label or join a label and then maybe start a major and create an empire. That would be the life. Or, fishing. Fishing and sailing would be really nice, as well.

    Kyle: I’m into the business side, as well, so I like developing and finding other artists. Maybe, like, you know, working on some other type of music? I dunno. I haven’t really thought about it too much. This has all my focus right now.

    Matt: Yeah, this is it.

    Derek: Uhh, I would make more music. I’d make crazy music, probably. Like, more experimental, progressive, rock, funky music.

    Brett: I’ve got to pee so bad.

    Derek: I’ve got to pee really bad, too. Can you keep that on the record?

    Yeah, I’ll keep that on record.

    Hey You! went on later that evening to play a killer show. Kyle has a stage presence that is out of this world, whether strutting back and forth with her mic, or laying on her back, kicking her high-heeled feet in the air, she owns the stage. Derek’s guitar playing is mesmerizing. Watching him slide his pick up and down the strings in such an experimental way is really very fascinating. Although chained to the back of the stage by his drum kit, Matt grabs the audience’s attention far more than most drummers. His playing is expressive and energetic and fun to watch. Brett looks ridiculous holding his massive bass, but he somehow does it with ease, carrying each rhythm fluidly. And for the record, Brett is 5’10. (Yes, it’s a very big bass.)

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  5. Social Media-ing

    Hey guys! You all can follow us on Twitter (fatboymusic1) for music news and such! And visit my Facebook page to view entire photo albums from shows! Thanks for reading!

     

  6. By Kaeleigh Morrison | Editor In Chief | September 6, 2012

    Swedish, synth-pop duo, Niki & The Dove kicked off their 24-date American tour at The Echo last Friday night. Opening the evening was rocked-up punk band Devin and gritty, Californian duo Tashaki Miyaki.

    Rocked-up punk band Devin opened the night, unfortunately they played a short set to a mostly-empty Echo. They’re a great band with tons of energy and truckloads of talent. Quick, snappy vocals by Devin Therriault and rapid-fire strumming on the guitar got the early birds in a nice sweaty mosh pit; unusual for the first band of the evening.

    Tashaki Miyaki started off their set unannounced. Guitarist Rocky Tashaki quickly got up on stage and cued the sound booth by drowning the house music in a screeching din of feedback. Doe-eyed, drummer/vocalist, Lucy Miyaki donned a white, lace dress and a center-part, contrasting her partner’s distorted, gritty guitar. “I heard it is a blue moon, tonight,” Miyaki murmured between verses; her beautiful, deep, soulful voice poured into the audience with a dreamy reverb almost as unique.

    Read more here or at SoCalMusicToday.com

     


  7. By Kaeleigh Morrison | Editor In Chief | September 2, 2012

    Steven A. Clark “Seashore” Fornication Under The Consent of the King

    Steven A. Clark’s gratuitous track “Seashore” has gone viral and is now plastered across music blogs across the interwebs. His upcoming release, Fornication Under the Consent of the King (F.U.C.K.) is an album inspired by a traumatic breakup with an ex, leaving him with an “absolute acceptance for the effects of love, including the adoration and despise, bliss and pain.” Clark admits to Rolling Stone in a very Justin Vernon fashion that he “wrote this song while living in a windowless warehouse, thinking about [his] ex, and watching Eternal Sunshine of The Spotless Mind on repeat.”

    Read More @ Socalmusictoday.com

     


  8. Wolf Hoffmann (Accept) Interview

    By Kaeleigh Morrison | Editor In Chief | September 2, 2012

    Since their origins in the early 60’s, heavy metal band Accept has played a major role in the development of speed metal and sat at the forefront of German metal in the 1980’s. Reunited for the second time with Mark Tornillo (TT Quick), at the mic, Accept sets off on the beginning of their three-month, worldwide tour next week. Accept will be promoting their recently released album Stalingrad, proving once again that Tornillo makes a perfect replacement for Udo. Fans, whether lovers or haters of Udo, will not be disappointed by the band’s loyalty to their “trademark, Accept sound.”

    Guitar-shredding Wolf Hoffmann recently spoke with Kaeleigh Morrison to discuss Mark Tornillo’s influence on the band, recording Stalingrad, and his guitar gods.

    —-

    Tell me a bit about how you started working with Tornillo and the experience that followed.

    We met him three and a half years ago by sheer luck and we were immediately blown away. We thought, “we’ve gotta get this guy. He could be the reason that we reunite and get things going again.” It has been a tremendous experience at least in the last few years with getting things going again and writing new material, you know? It’s been a totally overwhelming and rewarding experience. And against all odds, so to say.

    How did you guys meet in the first place?

    We met at a jam session near Philadelphia and it was just pure coincidence that we actually hooked up with each other, nobody was expecting to do an ACCEPT reunion or anything of that nature initially. Like I said, when I met Mark, I said, “Wow, we gotta do this. It’s too good to be true.” We didn’t audition anybody, we weren’t looking for anybody, we weren’t looking for a new singer. We just met spontaneously and decided we needed to hook up together.

    How was the writing process for Stalingrad different than recording the other albums?

    Pretty much like it always was. They’re usually the same. Peter and I usually get together initially and write the riffs, write the song ideas until we give the stuff to Mark and he adds lyrics to it. So it’s a really harmonious process, you know? It’s a pretty fast way of writing, also. We don’t usually spend a whole lot of time getting the stuff together. Just in a matter of weeks we will have written a whole album.

    Have you ever taken more than a few weeks to write an album? Has it ever taken you a while to get it together?

    We have in the past, especially the infamous album called Eat the Heat that we did in the nineties. It took almost a year, it was terrible. Sometimes you lose perspective spending more time on an album, and it doesn’t necessarily make it a better album in my mind. Sometimes it’s good to stick with it and getting it done in a short amount of time rather than letting it drag on and on and on, you know?

    What sets Stalingrad apart from the others?

    I don’t think it’s very… Well,.. I don’t think it’s very different. It may be better, but it’s not very different, to be honest. We tried to write stuff that’s very typical of ACCEPT, stuff that could have been written years and years ago, ‘cause that’s the face of ACCEPT that most people remember, and that people love the most. But we tried to give the fans exactly what they would expect. So it’s really just new and better but not different.

    How would you say that it’s newer and better?

    Well it’s got kind of a new sound. Nowadays with the modern technology we get a much tighter and better production than we’ve ever had, I think. And a much snappier and tighter sound. But the songwriting is really just typical, old school, classic stuff. That’s the perfect combination. I think it’s why the fans love the album so much. Well, the last two albums, I should say, because to me, they were very close to one another. You get the best of both worlds: you’ve got the modern technology and the modern sound and the modern production value, but it sounds totally old school at the same time because the songwriting is done in a very old-fashioned way with lots of melodies and lots of memorable licks and passages that are part of the ACCEPT trademark.

    Did Tornillo impact ACCEPT’s writing process at all? Or did your work habits mesh together magically?

    He’s really just mostly the lyricist. He didn’t change our songwriting approach at all. I mean, we’ve been a great team together but really the songwriting process did not change a whole lot. The only difference is that he contributes the lyrics, where in the past, in the old days with Udo, it was Gabby, my wife and our manager who had written the lyrics, ‘cause Udo, he did not write any of the lyrics. Now that Mark does the lyrics, that’s a big change for us, but he does it in a way that’s very,.. Traditional. He tries to write them the way that we would want them.

    Read more at Socalmusictoday.com

     


  9. Monday Night Playlist: The Valley Below

    By Kaeleigh Morrison | Editor In Chief | August 27, 2012

    I’ve spent a week living on my own in Los Angeles. This place is a rollercoaster. I haven’t felt emotionally stable since I moved here. I’m constantly flitting from one killer job interview to the next, the ecstasy of success crashing through my veins. But it’s easy to be miserable here. The loneliness brought on by a city packed with millions of people is haunting. The rollercoaster between elated and melancholy is exhausting; I find myself chugging coffee and I’m still falling asleep stupidly early here.

    Whether you just got through the drunkest orientation week Carnagie Mellon University has to offer, or you’re a high school senior facing your final (mandatory) year of school, here’s a playlist to help you get through the up’s and down’s of this big week ahead. Starting off strong with some Pink Floyd, I hope this playlist takes you on a wonderful 120 minute journey through the highs and lows of rock music.

    Listen Here.

    Track List:

    “Speak To Me/Breathe [Breathe In The Air]” Pink Floyd

    “Wild Horses” Rolling Stones

    “Buildings & Mountains” The Republic Tigers

    “Puppet To The Man” Kurt Vile

    “Helplessness Blues” Fleet Foxes

    “Words & Fire” Sam Roberts

    “Thick As A Brick (Edit No. 1)” Jethro Tull

    “Beast of Burden” The Rolling Stones

    “Hey Joe” The Jimi Hendrix Experience

    “D’yer Mak’er” Led Zeppelin

    “Purple Haze” The Jimi Hendrix Experience

    “While My Guitar Gently Weeps” Martin Luther McCoy

    “You Shook Me” Led Zeppelin

    “Young Lust” Pink Floyd

    “Peeping Tomboy” Kurt Vile

    “These Days” Nico

    “Didn’t Leave Nobody But The Baby” Emmylou Harris, Alison Krauss, Gillian Welch

    “I Am The Walrus” The Beatles

    “Somebody To Love” Jefferson Airplane

    “Last of The Steam-Powered Trains” The Kinks

    “One More Cup of Coffee” Bob Dylan

    “Combination of The Two” Big Brother and The Holding Company

    “White Rabbit” Jefferson Airplane

     


  10. By Kaeleigh Morrison | Editor In Chief | July 5, 2012

    I am in Paris and stunned. I cant believe I’m capable of smoking cigarettes beneath the massive, steel arches of the Eiffel Tower and knock back French coffee in the quaintest, cobblestoned plazas.

    My disbelief did not stop at tourist attractions, though. Last night my friends and I went to see Walk The Moon at Point Ephemeré, a Parisian hole-in-the-wall venue right on the Seine. They were great technically, Eli Maiman shreds on his self-customized guitar, but it was their stage presence and their modesty that really caught my attention.

    Most bands on a publicity tour through Europe would be making a huge effort to put on a face, make a huge impression, and play their most popular songs; Walk The Moon did none of that. Before the show, Nick Petricca (lead vocals/keyboards) and Kevin Ray (bass) came out into the audience to paint the faces of the masses of teenage girls gaga over their “poppy, art-rock” style. They brought back originals from their independently released album, “i want, i want,” and they played a cover of The Fleet Foxes’ masterpiece, “White Winter Hymnal.”

    My after-show interview turned into an after-show, drunken adventure through the urine drenched streets of Paris to a perch overlooking the dazzling cityscape. The guys were so sweet and personal, asking more about our lives than speaking of themselves. From the discussions we had, I can tell that these guys are completely invested in their work.

    Although Sean Waugaman (drums) gave me permission to record the evening’s shenanigans, the blurry photos and hilarious videos will not be released. I got relatively wasted, rolled down a hill, and have a difficult time remembering like half the evening.

    Thanks to everyone who made my first night in Paris unbelievable. Props go out to sound-guy, Matt. You made these dudes sound amazing live. I hope you stay in this industry for a very, very long time. We need more sound engineers like you. See these guys live! They deserve your support!

     


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  12. My show notes for the Phantogram/Reptar article.

    By Kaeleigh Morrison | Editor In Chief | April 5, 2012

    Reptar Swimming in an ocean of reverb and upbeat dance tunes

    Keys reminding of vampy weeks

    Disco instrumentals meet 90s grunge vocals

    Arctic monkey/Costello vocals quickly turned ska

    Growlled “I feel so fucking weird when I go to bed,.. At night”

    And I swear to god they all look like rugrats all grown up and gone indie.

    Dylan drawl I’ve got a fever and the only thing that will cure it is more cowbell

    So fun to dance to, the band couldnt help but join the crowd in jiving

    Catch a whiff of clever lyric or the bassist’s various sound effects which he would spit into the mic with enthusiasm

    New favorite band

    As his left hand stumbled about on the piano, his right found beautiful harmonies on the synth

    Sort of bloc party drums

    Possessed by the tambourine

    God bless the bassist. He took them places.

    “did you guys grow up watching the rugrats?” “yeah, here and there.” “where did your band name come from?” “oh *laughs* no, yeah. Reptar is dinosaur Reptar.” “that’s rad, man” “thanks. I appreciate it.”

    Phantogram:

    THE. FUCKING. LIGHTSHOW.

    Camera flashes a light show of their own

    Drum machine matched the seizure inducing strobe

    Wailing vocals drowned out by bodyshaking bass and drum machine claps

    Digital samples+atmospheric chants+echo= very futuristick

    I’m not sure if it was the music or the guy sneaking a joint in front of me but it all seemed so surreal

    “crowd full of cameras”

    “we have some new songs and his is one of them.”

    we thought we were getting dubstep, but it turned into some sort of alien death procession. Doused in synth and electric guitar. And we were all digging it.

     


  13. By Kaeleigh Morrison | Editor In Chief | March 31, 2012

    I got off work early last night and headed down to Santa Barbara locals’ favorite hole-in-the-wall coffee shop/acoustic indie venue, Muddy Waters. Radiation City kicked off the night with bright, echoey indie pop led by a sexually-ambivalent, too-short Bermuda shorted Portlandian. Ambient echoes bounced around Muddy’s front room creating a hauntingly jangley, yet catchy and retro sound. The volume escalated as Radiation City’s show reached a crescendo of psychedelic reverb drenched electric guitar lunacy.

    While the band played, Muddy was fast filling up with an assortment of local hipsters who had ventured out on a fleet of fixies to see and to be seen seeing Ghost Tiger. After an intermission packed with PBR and discussion of the latest OFWGKTA release, Ghost Tiger took up their instruments and began the headliner set of the evening.

    The 20s-inspired lead singer serenaded the audience with a jazzy “I’d love looking for love tonight.” The band’s ballads rose to crisp, singer-songwriter finale. The band members’ style referenced Portlandia’s lyrics of “The dream of the 90s is alive in Portland! My flannel shirt still looks fly.” Ironically, Ghost Tiger’s members do not hail from Oregon’s music capital; they’re locals.

    Despite the hipster jokes, I can honestly say that Ghost Tiger is the best young, SB band I’ve heard in a while. The band’s moody bravado makes them perfect for rainy day bubble baths, sad Grey’s Anatomy endings, and the opener’s slot of a midwinter Regina Spektor-Bon Iver tour. The lyrics in particular gave the group a dreamy, poetic charm. One song concluded with the mournfully delivered line “the morning light drains the deep blue from your eyes.”

    Ghost Tiger was an epic, more Bluegrass-folk Bon Iver crossed with the Underground Railroad gone Portland. Several of their members are veterans of SB Independent Battle of the Bands finalist group Islay Street. If you haven’t heard of these guys yet – you probably haven’t – do yourself a favor and be sure to check out one of their upcoming shows. You will not regret it.

    (Source: fatboymusic)

     


  14. By Kaeleigh Morrison | Editor In Chief | March 11, 2012

    I experienced my first hip hop show Saturday night while working the door for Eligh and Amp Live. It’s a different crowd than the indie kids that I’m used to.. The dudes are more muscular, the skirts are shorter, and the crowd is drunker.

    Manning the door takes a different type of confidence. You don’t need to know that you can slam an attendee with music knowledge, you need to be confident beyond all measure that if shit starts to get out of hand, you can take the bro-tanked dude down. Or at least have him pinned till the bouncer shows.

    The opener emanated the soundtrack straight out of a 90’s arcade/pizza parlor. The entire show was a “who can make the walls vibrate more” contest. By the end of the night, three girls were thrown out for being too drunk, a cat fight had started, and a chick stumbled through the club’s door, hands painted with blood, and a broken nose screaming “you ugly whore!”

    I got taught a few very valuable lessons tonight:

    1.”Don’t be that girl.”

    2.Saying you’re fifteen does not repell drunk guys.

    3.A leather jacket and chain smoking cigarettes are the most important factors in a legitimate poker face.

     

  15. By Kaeleigh Morrison | Editor In Chief | March 2, 2012

    I don’t love all of Jack White’s work, or more specifically, his work during his White Stripes years.Dropped in late January, “Love Interruption” is the most lyrically beautiful and sincere love song I have heard in a very, very long time.White sings “I want love to walk right up and bite me, grab a hold of me and fight me, leave me dying on the ground.”

    White continues on in this morbid view of love, highlighting it’s detrimental aspects, however juxtaposing the sullen lyrics with cheery, smitten acoustic guitar and beautiful, female-accompanist (Ruby Amanfu) vocals.

    With his upcoming Southern, solo tour, I’m excited to see what Jack White has in store for his fans in the next few months. Fans should be looking out for the release of White’s first solo album, Blunderbuss, dropping April 24th.

    (Source: youtube.com)